Thursday, 19 January 2012

Mats Ek

Mats Ek is the son of Anders Ek, one of Sweden’s most celebrated actors, and Birgit Cullberg, the choreographer and artistic director for the Cullberg Ballet Company. He was born in Malmö in 1945, and began a short period of dance studies in 1962 with Donya Feuer in Stockholm; in addition, he later took theatre studies in Norrköping. 


In 1974–5, Ek was a member of the Deutsche Oper am Rhein, Düsseldorf, then made his choreographic debut in 1976 with The Officer’s Servant, for the Cullberg Ballet, the first of many of his works formed on them.Through such early pieces as Soweto (1977) and The House of Bernarda (1978) he began to gain an international profile, one that was strengthened in the many subsequent works for the Cullberg Ballet, most immediately those of The Four Seasons (1978) and Antigone (1979).


From 1980 to 1984, Ek shared the artistic directorship of the Cullberg Ballet with Birgit Cullberg. Then, in 1985, he was appointed sole artistic director, a post he held until 1993. Giselle (1982) and The Rite of Spring (1984), both for the Cullberg Ballet, had already shown his interest in reinterpreting the classical repertory, one fostered during his time in the company of the Deutsche Oper am Rhein, with whom he performed such works as The Sleeping Beauty, Giselle and Romeo and Juliet. This important strand of his choreographic exploration has continued with his own particular slants on the familiar presented in Swan Lake (1987), Carmen (1992) and The Sleeping Beauty (for the Hamburg Ballet, 1996). 

1 comment:

  1. Mats Ek was born on 18th April 1945. Both of his parents were in the Performing Arts, his mother was a choreographer and his father an actor. Mats Ek even later became the manager of his mothers company Cullberg ballet.

    He began studying dance in 1962, however he worked as a stage director from 1966 to 1973. In 1972 he began studying dance and began dancing with Cullberg ballet in 1973.

    Mats Eks trained in theatre before he studied dance, therefore his dances are often quite theatrical as well as dance performance.

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